The Central Reserve Bank of Peru has circulated since July 14, 2016 the new currency of 1 allusive sun Ceramics Shipibo - Konibo, located in the department of Ucayali. This coin is the twenty-fifth and penultimate Series Numismatic Wealth and Pride of Peru.
Konibo under two pitchers with anthropomorphic design and behind a native housing - on the back, in the middle of a ceramio Shipibo observed. the mark of the National Mint on a geometric design of vertical lines and the denomination and the name of the monetary unit on a rolling lines are also appreciated. At the top of the phrase Ceramics Shipibo-Konibo Cultura Viva shown.
On the front is seen in the center the Coat of Arms of Peru surrounded by the words "CENTRAL RESERVE BANK OF PERU" the year of minting and eight-sided polygon inscribed forming the fillet of the coin.
This is the twenty-fifth coin, consisting of twenty Numismatic Wealth and Pride of Peru Series, which have been issued 12 million units of this piece.
This is the twenty-fifth coin, consisting of twenty Numismatic Wealth and Pride of Peru Series, which have been issued 12 million units of this piece.
♣
Denomination: 1 sun
Alloy: Alpaca
Weight: 7.32 g
Diameter: 25.50 mm
Edge: Milled
Year Mintage: 2016
Issue: 12 million
Official video of the coin
Sursa: Youtube Utilizator: Banco Central de Reserva del Perú
Ceramics Shipibo - Konibo
The Shipibo-Konibo lives mainly in the basin of Ucayali river in the Amazon. Their pottery is made primarily by women and has ancient origins. Archaeological research shows that the tradition of cumancaya ceramics, developed on the banks of the Ucayali between 800 and 1600 AD, has great similarities to the Shipibo-Konibo contemporary, confirming the cultural continuity in the region for over 1200 years.
Clay, red and black color, white, is combined with tree apacherama ashes and dust of old ground vessels. The mixture is kneaded in rolls that are twisted to form new parts. This technique replicates the movement of the cosmic anaconda Ronin, creating rivers and forests twining on itself. Before burning, the pieces are painted with complex geometric designs, called Kene, which seem to wrap ceramios with a hypnotic halo of light and movement. These designs come from skin blemishes of cosmic anaconda and jars communicate their powerful energy of transformation.
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